Two new titles from Trapart Books

 

Two new titles are available from Trapart Books. I am overjoyed and so extremely proud to publish these remarkable books. Please check them out HERE and please also take a look at the wonderful photographic editions we have made available together with the artists.

 

LARS SUNDESTRAND: TO BECOME WHO YOU ARE

In the late 1970’s, in the midst of the ultra-creative punk era, Swedish photographer Lars Sundestrand created his now legendary fanzine Funtime from his home in Gothenburg. The idea was to share with others the bands and artists he himself was inspired by. One of these multifaceted artists was British agent provocateur Genesis P-Orridge. At the time, P-Orridge was leading the groundbreaking record label Industrial Records and the influential band/project Throbbing Gristle (TG). Sundestrand and P-Orridge quickly struck up a personal correspondence overflowing with information and artistic substance. When P-Orridge moved on to the new music/video project Psychic TV (PTV, and its radical, magical sister organisation Thee Temple Ov Psychick Youth, TOPY) in the early 80’s, Sundestrand was right there in the midst of it.

To Become Who You Are is a collection of Sundestrand’s beautiful and revealing photographic portraits of all the key people of the era, plus letters, postcards, Industrial Records newsletters, rare artwork, TOPY information and magical ”propaganda,” and much more. Interviews with Genesis P-Orridge, Cosey Fanni Tutti, Monte Cazazza, David Tibet and others reveal what was truly going on in this mind-bendingly influential era of experimental art and music.

For anyone interested in industrial music and sex-magical culture, this volume is a treasure trove of inspiring material. Read it and be challenged to finally become who you are!

Published 2019. 216 pages, size 210 x 250 mm. Hardcover with dust jacket.

 

RUBY RAY: KALIFORNIA KOOL

Spanning music, art and literature, the industrial and punk scenes of San Francisco in the late 1970s and early 1980s were diverse but united by a DIY, anti-authoritarian attitude. Photographer Ruby Ray was there to capture it all in the same spirit. With her work appearing in the legendary punk zine Search & Destroy and its successor RE/Search, Ray was at the epicenter of, and a key participant in, a vital cultural moment vibrant with provocation and creativity. A local experimental music and art scene supported artists like Bruce Conner and William S. Burroughs, and attracted groundbreaking bands like Devo, the Mutants, Boyd Rice and the Dead Kennedys, as well as established international bands like Throbbing Gristle, the Clash and the Sex Pistols. Ruby Ray: Kalifornia Kool collects the photographer’s images from this time: live shots, backstage parties, apartments overflowing with youthful exuberance, elegant portraits of key people and photographic experiments. Her work captures a time and a place where West Coast open-mindedness, youth, art, music and electricity merged.

“Late 70s, early 80s… Ruby Ray and her camera, capturing the movers and shakers of the San Francisco punk and industrial scenes… And then some… Performance art, music, literature, photos, videos made with a “fuck you” and “do it yourself” attitude. Ruby sees and Ruby captures… Knowns and unknowns, winners and losers, sane and insane, constructive and destructive… William Burroughs with his gun, Bruce Conner being fueled by punk energy, Sex Pistols’ last ever gig in San Fran, Throbbing Gristle, The Cramps live at Napa Mental Hospital, Search and Destroy Magazine, and bands and gigs galore… Devo, Mutants, Slits, Bags, Dead Kennedys, Cabaret Voltaire, Roky Erickson, Nico, DOA, Chrome, Factrix, Boyd Rice, Z’EV, Flipper… You name’em and there was Ruby Ray: the spectacularly talented lens of Kalifornia Kool. We should be grateful for her work. It’s invaluable, evocative, loud, sexy and more inspiring now than ever before… Ruby’s images open up a portal to a mythic and frenzied scene and show that it’s true: all mythologies are real… Turn up the volume and dive into this one.” – Carl Abrahamsson, from the Introduction

Published 2019. 216 pages, size 240 x 240 mm. Hardcover with dust jacket.